Prominent Azerbaijani artists include Sattar Bahlulzade (1909–74), who founded contemporary Azerbaijani landscape painting. He represented the countryside of his homeland in an impressionistic style, combining pastel colours and broad strokes. Exhibitions of his work have been held across the world.
Tahir Salahov (b.1928) was the main exponent of the ‘severe style’, being renowned for his portraits of workers and celebrities, such as composer Gara Garayev. On the other side of the spectrum, Togrul Narimanbekov (b.1930) depicted aspects of Azerbaijani folk life in rich, vibrant colours.
Art is exhibited across the country, via a broad network of museums and galleries, and in Baku there are institutions dedicated to literature, fine arts, carpets, decorative arts and modern art.
Azerbaijani architecture combines influences from many styles and periods. Hundreds of historical and modern structures are in existence, representing various aesthetic styles and architectural schools. The Caucasian Albanian legacy is particularly important, being represented by both civil buildings and Christian temples. One of these is located in Kish village, Sheki, and is regarded as the ‘mother of Albanian churches’. This is the most ancient Christian monument in the Caucasus and was recently renovated by the Azerbaijani government as part of an architectural renovation programme.
Islam’s spread across the country during the 7th century, resulted in the adoption of Islamic styles. The quality of Azerbaijani architecture reached a new zenith during the 10th–12th centuries, and the Momina Khatun Mausoleum (1186), constructed in Nakhchivan under the leadership of Ajami Abubekr’s son, Nakhchivani, is a pearl of both Azerbaijani and world architecture.
The jewels of Azerbaijani architecture include Icheri Sheher, Baku’s walled inner city, which contains over 50 historical and architectural monuments, such as the Shirvanshahs’ Palace and Maiden’s Tower. These are included in the UNESCO World Cultural Heritage List.
In the late 19th–early 20th centuries, rapid development of the Baku oil industry stimulated the development of civil and industrial architecture. Following the re-establishment of independence, Soviet official architecture was replaced by a new, contemporary approach.